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Attahir, Benjamin

Born in Toulouse in 1989, Benjamin Attahir started off by learning the violin, and at an early became passionate about composing. Amongst his masters are Édith Canat de Chizy, Marc-André Dalbavie, Gérard Pesson, and Pierre Boulez. 
At the same time, he perfected his violin skills with Ami Flammer and performed in Ensembles such as the Jersey Chamber Orchestra, L’Ensemble Intercontemporain, LSO Soundhub ...

Benjamin Attahir has won numerous competitions and distinctions: le Concours Général, the USA Bloomington IHC, le Concours International de la ville de Boulogne, the UNESCO International Tribune of Composers, le prix Salabert de la SACEM and two Académie des Beaux-Arts prizes (including the Prix Pierre Cardin in 2015).

His works have been performed by various ensembles and orchestras (l'Orchestre National de France, l'Orchestre Philharmonique de Radio France, l'Orchestre du Capitole de Toulouse, the Philharmonic Orchestra of Helsinki , l'Ensemble Intercontemporain, Les Éléments, the Trio Zadig, les Quatuors Arod et Van Kuijk, the Tokyo Sinfonietta..) and in venues such as the Philharmonie de Paris, le Nouvel Auditorium de Radio France, le Concertgebouw of Amsterdam, the Zurich Tonhalle, le KKL de Lucerne, the Salzbourg Mozarteum, le Bozar de Bruxelles, the Berlin Boulez Saal, le Théâtre du Châtelet, les Bouffes du Nord, l'Arsenal de Metz, les Invalides, and the Suntory Hall in Tokyo. He is frequently invited to various festivals (Gaudeamus Muziekweek of Utrecht, Lucerne Festival, Festival Messiaen, Festival Aix en Provence ...).

He is the author of two operas, the first of which he directed in 2012 and the in 2015. The scene staging is the backbone of his musical writing, which, like his origins, he draws his inspiration midway between East and West.

He regularly collaborates with artists such as Daniel Barenboim, Renaud Capuçon, Hae-Sun Kang, Geneviève Laurenceau, Marianne Piketty, Raquel Camarinha, Claude Delangle, Tugan Sokhiev and Bruno Mantovani, but also with several other troops such as La Comédie Française, Quanzhou Liyuan Theater (China).

He is currently working on an order for the Philharmonie de Paris / Quanzhou Liyuan Theater (China), un concerto pour serpent / “serpent concerto” (ONLille), a violin concerto for Renaud Capuçon (18/19), and an opera from a Maeterlinck booklet, where he will direct the creation at La Monnaie de Bruxelles (September 2019).

Benjamin Attahir was a resident at La Villa Médicis (16/17) and will be a composer-in-residence at the Gstaad Festival in 2018 and at the Orchestre National de Lille for the 17/18 and 18/19 seasons.

His work is published by Durand-Salabert (Universal Music Publishing).
 

Le Silence des ombres (2019)
for 9 singers and chamber orchestra
1.1.1.1 — 2.0.0.0 — serp —   perc — hpe – pno — acc —  0.0.3.3.2
Éditions Salabert - Hire


Je / suis / Ju / dith (2019)
for soprano, violin and orchestra
3.3.3.3 — 4.3.3.1 — 5 timb – 3 perc — hpe – cél — 15.12.10.8.8
Éditions Salabert - Hire


La Femme fendue (2018)
for voice and violin
Éditions Salabert - Hire
Have a look at the score

Corema album (2018)
for soprano and cello
Éditions Salabert – Sale

Al Asr (2017)
for string quartet
Éditions Salabert - Sale

Adh dhohr (2017)
for serpent and orchestra
2.2.2.2 — 2.2.2.0 — timb — hpe — 16.14.12.10.8
Éditions Salabert - Hire
Have a look at the score

Après l’ineffable (2017)
for cello and piano
Éditions Salabert - Sale

Al Fajr (2017)
for piano and ensemble
1.0.2.2 — 2.2.0.0 — timb — hpe – pno — 3.0.2.2.1
Éditions Salabert - Hire
Have a look at the score

Swimming is NOT saving (2017)
for solo violin
Éditions Salabert – Sale

Et nous tournions autour de ces fontaines hallucinées 
(2016)

for ensemble
1.1.1.1  — 1.1.1.0  — 2 perc - hpe  — 1.1.1.1.1
Éditions Salabert – Hire
Have a look at the score

De l’obscurité II (2017)
for harp
Éditions Salabert – Sale

Zōkibayashi 
(2016)
for 13 mixed voices and viole de gambe
Éditions Salabert – Hire
Have a look at the score

Asfar (2016)
for violin, cello and piano
Éditions Salabert - Sale

Sawti'l Zaman (2016)
for orchestra
3.2.2.2  — 4.2.2.2  — hpe, pno  — string
Éditions Salabert – Hire
Have a look at the score

Nach(t)spiel (2015)
final additionnel au Konzertstück op 84 de Max Bruch
for violin and orchestra
2.3.2.3  — 4.2.3.0  — timb  — 12.10.10.8.8
Éditions Salabert - Hire
Have a look at the score

 

 

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