Pascal Dusapin, Macbeth Underworld
Photo : © La Monnaie / De Munt
Macbeth Underworld, Pascal Dusapin' opera, world premiere on September 20, 2019 at Théâtre de la Monnaie.
“These two spell trouble, aberration, violence, total chaos. They no longer know what they have done, but they had to do it. Everything happens as though they need to repeat or replay it. It is stronger than them – even together. They confound everything: appearances, reality, before, after. They hear voices. They no longer know what is happening. Something other than themselves is passing through them. Their vision is clouded. Her – she wanted to kill the king, that good king. She violates everything that passes by. She understands nothing of herself. It’s all a mass of confusion. She inverts all things, and it’s the other who kills the king because he believes he wants that, too. In the end, he comes to his senses. But it’s too late. It’s done. The permanence of the story of these two has not ceased to afflict our own time. It is as alarming as it is current. It is a matter of concern and, at the same time, a metaphor – and vice versa. Through song, the opera voices what preoccupies us all.”
Just four years after the premiere of his Penthesilea, Pascal Dusapin has come up with a new opera, commissioned by La Monnaie. Together with his librettist Frédéric Boyer, he delves into the darkest regions of the human soul, this time via iconic symbols of evil in humankind: Shakespeare’s Macbeth and Lady Macbeth. The young French director Thomas Jolly who is familiar with Shakespeare’s world will direct, while conductor Alain Altinoglu does justice to the intense drama and the vocal and orchestral richness of the score. The result is a bloodstained gothic opera, in which the ill-fated couple is condemned to relive its own tragedy, haunting their memory and ours.
Source : La Monnaie / De Munt